Art and memory: Magdalenas por el Cauca

Adopting an interdisciplinary framework of Memory Studies and Art employing semiotics with a multimodal multimedia character, it is explored how social groups in Colombia memorialise the violence internal armed conflict. The reflection associates victims’ experiences those expressions commemoration remembrance that are narratives embodied visual scenic art. It semiotic landscape memory created through performative artistic proposal. In this landscape, not only cultural frames can be determined, but also semiotic-discursive resources give meaning to relationship between art memory. aim characterise performance known as Magdalenas por el Cauca (2008) which was recorded audiovisually several spaces on internet. means that, addition ephemeral mise-en-scène , there records communicative work. article, we analyse video X PEREGRINACION TRUJILLO y MAGDALENAS POR EL CAUCA (2010), one perpetuates . This reparation act audiovisual narrative ethical political character produced collectively by relatives victims, witnesses, artists other interlocutors, interpret assign new meanings performance.